Having said all of that, the debut Saints Row trailer did leave a lot to be desired. I’m just not convinced that the best things about the original Saints Row games are somehow being completely abandoned here, based on what we’ve seen so far. It probably is time to mix things up, and given that Saints Row is usually at its best when it’s doing things differently than the competition (which honestly includes moments of character diversity and sex-positivity spread throughout the series that shouldn’t be overlooked if we’re having a fair discussion about this franchise), I’m not willing to buy into the argument that this is inherently a bad idea. So while I suspect that some fans were hoping that this reboot would bring this series back to the Saints Row 2 style (which honestly probably came closest to properly balancing absurdity and open-world crime drama), it’s honestly hard to fault the Saints Row reboot team for coming to the conclusion that it’s time to mix things up. There certainly may be a bit of “absence makes the heart grow fonder” in play here, though many of these criticisms seem to be coming from those who never grew tired of the series’ edgy absurdity in the first place. It’s not that Saints Row 4 was a disaster (it was occasionally a lot of fun), but it definitely felt like we were starting to reach the point of diminishing returns and stylistic awkwardness. It was always a bit more South Park than Goodfellas, and while that’s part of the reason a lot of people fell in love with the Saints Row series in the first place, Saints Row 4 certainly left many wondering how the series was possibly going to raise the bar. If there is one thing that all of those Saints Row games had that this reboot seems to be lacking in these very early stages, it’s an “edge.” The Saints Row games often combined over-the-top violence with over-the-top sex and used all of it to accentuate over-the-top moments. At worst, it was occasionally offensive, and at best, it was all pretty basic. The first Saint’s Row game was basically a more outlandish GTA game that honestly did emphasize a style, tone, story, and characters that you probably wouldn’t want to put in a game today, and for good reasons. The thing that I can’t get past is the idea that there’s somehow a sacred theme that the Saints Row series has stuck to up until this point. Having said that, some of the concerns about this game may not be entirely unwarranted, even at this early stage. Personally, I think that some of these early criticisms are odd and are perhaps based on issues that are much more serious than the Saints Row reboot. From there, it’s really just a matter of what you think about that change in philosophy. The Saints Row team is aiming to change the tone of the series somewhat with this reboot, and they are looking to reexamine certain aspects of previous games that they’re not entirely comfortable with today. So, it turns out that some of Saints Row‘s early critics aren’t being entirely paranoid. Others just say that they don’t seem to be particularly interesting. Some are calling them a forced attempt at diversity (again, we’ll get to that in a bit), but the most common criticisms so far revolve around the perception that they’re cleaner, younger, “hipper” protagonists who somehow don’t belong in a Saints Row game. While some are simply upset that this upcoming game will seemingly abandon many of the series’ famous characters and locations, the most vocal complaints so far tend to focus on the idea that the Saints Row reboot is aiming for the “Gen Z” crowd by incorporating “woke” characters, “hipster” themes, and a more youthful and playful overall vibe that some say is at odds with the dark undertones of previous games in the series.Īctually, a lot of the complaints so far tend to focus on the reboot’s cast of characters. There’s certainly some variation in terms of the specific complaints people have about this trailer, but they tend to focus on the ways that this upcoming reboot will seemingly alter the theme and tone of the original Saints Row games.
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His powers also attract an enemy of another type: Uryū Ishida, one of the few remaining Quincy, a race of spiritually-empowered humans who were butchered by the Shinigami long ago. Ichigo's spiritual power as a Shinigami is surprisingly large, attracting hungry Hollows and even affecting nearby humans by awakening any spiritual powers they possess. Ichigo must take her place as Karakura Town's Shinigami while she recovers, guiding souls to the afterlife and defending people from attacking Hollows. She tells him that she has lost all of her powers, rather than merely the fraction she intended to give him, and cannot carry out her duties. The next day, Rukia shows up at Ichigo's school as a normal human. When Rukia is injured by a Hollow that attacks Ichigo's home, Ichigo is forced to temporarily take her Shinigami powers to defeat the Hollow. This talent allows him to spot the Shinigami Rukia Kuchiki, whom he inadvertently interferes with during her duties. Ichigo Kurosaki is a 15 year old teenager with an unwanted talent for seeing spirits. It initially aired in Japan from October 2004 through February 2005 and in the US from September 2006 to January 2007. Main article: The Death Trilogy Overture: Death & The StrawberryĪlso known by its English adaptation title, "The Substitute" arc, the first Bleach story arc is twenty episodes in length and covers manga chapters 1 through 70. Special stand alone episodes created for Jump Festa Anime Tours of 20.Įpisode list Agent of the Shinigami arc (Episodes 1-20) Some scenes may be extended or omitted.Įpisode adapts some content from the manga, but largely focuses on expanding a backstory or flashback presented in the story.Įpisode is entirely original to the anime, to allow time for more manga chapters to be published before the anime catches up to it.
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If the option is set to ‘Camera access for this device is off,’ applications on your PC won’t be able to detect the webcam and neither will Windows.
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First appearance of El Zomba and John Gacy (both played by Florence), and of End of Level Boss and Mid-Level Sub-Boss (played by Florence and Macleod, respectively). Notes: First full appearance of Kenny Swanston. Sketches: Kenny: he'll show you how it's fucking done (various segments), Violence in Videogames: Rab discusses Manhunt on daytime TV (and says "bummed in the gob"), Jet Set Radio Future: tagging in Glasgow, Hitler: update from the front, Tap Tap Tap (climbing), Nigel Mansell CV advert, End of Level Boss and Mid-Level Sub-Boss: dinner, John Gacy's Kiddies Corner. Reviews: Syberia II (Xbox) (Rab), Driv3r (Xbox) (Ryan), Showdown: Legends of Wrestling (Xbox) (Rab), Full Spectrum Warrior (Xbox) (Ryan), Spider-Man 2 (Rab). Sketches: Zombies in Glasgow (two segments), Legend (several segments), Cosplay the Consolevania Way: #1 Virtuoso (from the eponymous 3DO game), Hitler complains to GAME, Cosplay the Consolevania Way: #2 Gundam, A Day In The Life, Consolevania Jailbait of the Month-hole: Tooty, Videogaming 50,000 BC, Cosplay the Consolevania Way: #3 Raz Karcy, Kenny: He Is Coming. Reviews: Glass Rose (PS2) (Rab), Kya (PS2) (Ryan), Biohazard Outbreak (PS2) (Rab), Romance Of The Three Kingdoms VIII (PS2) (Rab). Damien Murray would later make several appearances in videoGaiden series 3. Kenny Swanston (see episode 1.3) appears incognito as a Japanese wrestler in the CWF segment. First appearances of Legend (played by Florence) and Hitler (played by Hoffs). Notes: Introduction of the show's reviewers and lead performers, Robert Florence and Ryan Macleod, and of regular supporting performer Michael S. Sketches: The Shenmue drinking game, Legend (several segments), The Passion of the Chris, Consolevania Babe of the Month-hole: Lara Croft, The Consolevania Interview: Damien Murray of G-Force Glasgow, Consolevania Wrestling Federation, Hitler: the interview, OverBlood. Reviews: Castlevania: Lament of Innocence ( PS2) (Rab), Morrowind ( Xbox) (Ryan), Siren (PS2) (Rab), Bujingai (PS2) (Rab). The most recent series, Series Eight, is the longest to date (at 22 episodes), having started just before the COVID-19 pandemic imposed further changes such as the livestreaming of episodes on Twitch.Ģ4 episodes (one of which is currently missing) were produced during the show's original 2004–09 run, while 58 episodes have been produced so far for the second run (2017- ), making a current total of 82.Įpisodes Series 1 (2004–05) No. Following a trailed change to the series format, Series Seven began in August 2019. Series Five began in January 2018, and Series Six (a shorter series of themed episodes) in January 2019. Series Four concluded in November 2017 and was followed by a Christmas special. New episodes have been made available to the show's Patreon subscribers on a monthly basis, from February 2017 onwards. However, this proved to be a short-lived experiment: equipment problems and the creative team's growing disenchantment led to the end of the original run of Consolevania in January 2009.Īfter an eight-year hiatus, and following the release of a fourth series of videoGaiden in 2016, a new series of Consolevania, based on a subscription model, was announced at the beginning of 2017. In late 2008, the show's creators experimented with a new distribution method, making new reviews and sketches available on the show's YouTube account before releasing compilations of these items as episodes in the usual manner. Production of Consolevania then halted again for the third series of videoGaiden (December 2007–March 2008). Series Three began in the summer of 2007, and four episodes (as well as a lost episode) were released between June and October 2007. A second hiatus followed, during which the second series of videoGaiden was made and broadcast, and the eighth and final episode of Series Two was finally released in February 2007. Episodes 3–7 were released at monthly intervals between March and July 2006. The first and second episodes of Series Two appeared in July and August 2005, following which the show was put on hiatus while the creative team worked on the first series of videoGaiden. The first two episodes of Series One were released in March and April 2004, with the rest of the series being released between August 2004 and April 2005. The show began production in early 2004, and episodes were initially distributed for free on CD in the post to interested members of the RLLMUK discussion forum, before being made available as torrents and then as HTTP downloads from the show's website and mirror sites. |
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